A monthly feature with writing tips from Houston’s DiAnn Mills<\/p>\n

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Does the subject of developing voice<\/em> make you want to run? You\u2019re not alone. Explanations run the gamut from the way writers pen their prose to bigger-than-life characters who attract readers with their view on life. <\/span><\/span><\/span><\/span><\/span><\/p>\n

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Voice is everything a character experiences and expresses according to their traits and the writer\u2019s unique style. <\/span><\/span><\/span><\/span><\/span><\/p>\n

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A writer chooses unpredictable characters, both in actions and in dialogue, and establishes a voice that draws readers into the story. A writer\u2019s voice is her fingerprint, a way for a reader to identify style. It can\u2019t be developed by studying a textbook or taking a writing course or reading how-to blogs and articles. Each writer has a unique way of stringing together words and sentences, a subconscious activity stamped with personal style, word choice, originality, and passion for the project. <\/span><\/span><\/span><\/span><\/span><\/p>\n

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We develop our voice over time\u2014by writing, polishing our craft, and knowing our characters. It\u2019s much like our unique conversational style but with a strong additive: the character\u2019s voice. That means no two characters ever quite sound alike. A strong writer\u2019s voice doesn\u2019t overpower the character but hooks the reader\u2019s attention and refuses to let go.<\/span><\/span><\/span><\/span><\/span><\/p>\n

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Donald Maass describes voice as <\/span><\/span>\u201c<\/span><\/span>not only a unique way of putting words together, but a unique sensibility, a distinctive way of looking at the world, an outlook that enriches an author\u2019<\/span><\/span>s oeuvre . . . <\/span><\/span>An original. A standout. A voice.<\/span><\/span>\u201d <\/span><\/span><\/span><\/span><\/span><\/p>\n

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Our ability to dive into characters and create an adventure strengthens our voice. We weigh each word choice to decide if it\u2019s succinct and descriptive. <\/span><\/span><\/span><\/span><\/span><\/p>\n

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Are we using strong verbs and vivid nouns, the ones our character would use? Have we chosen the best word in the character\u2019s voice, one we\u2019re comfortable with? <\/span><\/span><\/span><\/span><\/span><\/p>\n

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A writer\u2019s genre also influences word choice. A lot to think about, but when we tune out the critics and write the story of our heart with a character we love (or love to hate), the voice will be at our fingertips. <\/span><\/span><\/span><\/span><\/span><\/p>\n

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I went through several stages of forming my voice while following rules, not following rules, then allowing my writing to morph into my voice. When I concentrated on good writing and put the guidelines into perspective, my voice came. Note that what is appropriate for the style, format, genre, and publisher guidelines is not the same as exploring and finding our unique writer\u2019s voice. As Thomas Merton said, <\/span><\/span>\u201c<\/span><\/span>Not all men are called to be hermits, but all men need enough silence and solitude in their lives to enable the deep inner voice of their own true self to be heard at least occasionally.\u201d <\/span><\/span><\/span><\/span><\/span><\/p>\n

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The following areas are important to me. While they may not become part of a writer\u2019s voice, they give us an example of the subconscious development that is necessary to establish our writing voice. <\/span><\/span><\/span><\/span><\/span><\/p>\n

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1. I\u2019m a bare-bones writer. I don\u2019t like to read paragraphs of description, so I don\u2019t write them. <\/span><\/span><\/span><\/span><\/span><\/li>\n
2. I use humor sparingly and always in character. I can be dark\u2014or I can be flirty. Sometimes a character requires a little more of what I avoid, so I have to weigh my preferences with what the character\u2019s telling me\u2014then mix the two. <\/span><\/span><\/span><\/span><\/span><\/li>\n
3. Sometimes all it takes is a single word or phrase to accomplish voice. <\/span><\/span><\/span><\/span><\/span><\/li>\n
4. I detest exclamation marks. I will stay up all night rewording scene and dialogue to eliminate that little bat and ball from the end of sentences. I prefer using word choice, characterization, and the scene\u2019s mood to convey emotion. But if an editor believes it\u2019s the best choice, I will present my case \u2026 and together we\u2019ll decide for the sake of the story. <\/span><\/span><\/span><\/span><\/span><\/li>\n
5. I use only said <\/em><\/span><\/span>as a dialogue tag. It<\/span><\/span>\u2019<\/span><\/span>s an invisible word. The only other tag I might consider is whisper. I don\u2019t use asked<\/em> as a dialogue tag. The punctuation mark and the syntax show the sentence is a question. Why insult the reader by telling them twice it\u2019s a question? <\/span><\/span><\/span><\/span><\/span><\/li>\n
6. I want my writing to be understood immediately. That means not sending readers to the dictionary. Clarity with distinctive nouns and verbs is more important than a word\u2019s number of syllables. <\/span><\/span><\/span><\/span><\/span><\/li>\n
7. I don\u2019t use semicolons or colons in fiction. I believe the use of italics for internal dialogue tosses the reader out of the adventure. I emphasize style, word choice, originality, and passion for the project to establish individuality. Don\u2019t be afraid to be you. A distinct voice means having the confidence to allow your personality to shine through your story. <\/span><\/span><\/span><\/span><\/span><\/li>\n<\/ol>\n

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   Outstanding writing comes from composing one sentence after another. When a reader can say only you could have written that story, then you have established your voice. <\/span><\/span><\/span><\/span><\/span><\/p>\n

    <\/p>\n","protected":false},"excerpt":{"rendered":"

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