Onyx<\/em>, a spoken word album released this past summer, includes my reading of several of the poems in the book. It includes music produced by a local artist in San Marcos, Texas. The book, which was published by Acre Books, a small press based out of the University of Cincinnati, is a debut collection featuring some of the hardest poems I\u2019ve ever written. <\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
<\/p>\n
How did you discover that you needed to be a writer, particularly of poetry? How do you know when inspiration needs to become a poem\u2014or a photograph or a performance? How do you know what form a piece should take?<\/strong><\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
I originally wanted to be an actress. After some disheartening experiences as an actress, I moved to the Austin Poetry Slam in 2003. The weekly competition allowed me to hone my skills as both a writer and performer. By 2010, my heart moved to the page and the challenge of bringing the same intensity I had on the stage to the page. I still crave the stage, but writing has allowed me to open up in a way I didn\u2019t think previously possible. <\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
Very often, I try to listen to intuition when it comes to the form an inspiration will become in a creative piece. There are some things that can only be said in a poem, some things that can only be shared with images, and some things that need to live fully on the stage. They each have their own designations. <\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
<\/p>\n
Your work has appeared in many outlets, among them the Texas Observer<\/em>, POETRY magazine, The Rumpus, Foundry<\/em>, Prairie Schooner<\/em>, Kweli Journal<\/em>, the Cincinnati Review<\/em>, Tahoma Literary Review<\/em>, the Austin American-Statesman<\/em>, Glass Poetry Press<\/em>, and Matador Review<\/em>. In addition, you are the managing editor of Borderlands: Texas Poetry Review<\/em>. What strategies have proved successful when you submit your work? As an editor, how do you recognize work that must be published?<\/strong><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
When it comes to publishing, I keep in mind several things:<\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
1. Does my work fit the current editor\u2019s preferences? I read through their latest issues and present work that directly fits in with their mission statements. Not all work goes everywhere.<\/span><\/span><\/span><\/span><\/span><\/p>\n2. Is my work complete or would I be ready to publish it as is? Checking grammar, line breaks, themes, language and more\u2014I determine whether or not I have put the editing work in before submission. <\/span><\/span><\/span><\/span><\/span><\/p>\n3. Is this the right time? Sometimes, a publication is looking for something particular and will so state on their website. I double check that my work fits their current needs. <\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
As far as work that must be published\u2014I look for poems that understand my journal\u2019s mission and look outside of themselves for inspiration. I tend to lean towards work that has invigorating language and clear messaging, but I always ask for feedback from my editorial team before making decisions. It is rarely a final decision I make by myself. Good writing and quality editing gets you bonus points! <\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
<\/p>\n
You\u2019ve been an artist on the roster of hip-hop collective Grid Squid Entertainment; you were a member of the 2008 Neo Soul Poetry Slam Team and the 2009 Grand Slam Champion of the Austin Poetry Slam, and a finalist in the Women of the World Poetry Slam Championship, among many other recognitions and achievements. How did you develop your voice and style? What is your advice for other poets who think they\u2019d like to perform?<\/span><\/span><\/span><\/span><\/strong><\/p>\n <\/p>\n
Performance is not purely about expressing oneself, it also about connecting with the audience in a genuine way. It is an opportunity to connect with others in a dynamic way\u2014so stop focusing on what people are going to think about you and consider how you can give audiences just the thing they need to face this world. Can you give confidence? Or motivation? Can you let them know they are not alone? It\u2019s a give and take. <\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
<\/p>\n
You are also a visual artist, working in mobile photography and mixed media. Your work has been exhibited in the Texas State University Gallery of the Common Experience, Insomnia Gallery in Houston, Dahlia\u2019s Gallery in San Marcos, Patio Dolcetto in San Marcos, and featured in Five:2:One<\/em> magazine. Paint a word picture of your visual art for us, please. <\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n <\/p>\n
Buried underneath pain and darkness is color and joy. My visual work, which very often has a dark undertone and gritty clarity, is trying to relay the inherent beauty of the black queer femme existence. Depression was a major component of my life for years, but after becoming a birth mother, I learned how to embrace beauty in the ugly. Much of the exhibited work documents what it\u2019s like to look out on the world from that place of pain and find something wonderful to focus on. <\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
There are also a number of self-portraits, which find me in spaces surrounded by a dominant color or setting. This touches on the loneliness often felt by black queer people in certain spaces. Extremity of over-saturated colors and dark-focused subjects highlight how I\u2019ve experienced the world post-incarceration. <\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
<\/p>\n
In 2017, you were awarded the San Marcos Arts Commission Grant for your monthly event series, <\/em>SMTX Ripple Market, which provided performance and exhibit opportunities to women, people of color, and those identified as LGBTQ-IA. Please tell us about your inspiration for the market and how it came about. <\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n <\/p>\n
As a new business owner, I worked with a woman-owned coworking space called Splash Coworking. The guidance and mentorship of the owners helped me to reimagine what art and sustainability for artists from underrepresented backgrounds could look like. <\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
I knew that every artist or performer who came through my market had some basic needs, which included: the need to pay for their travel, food, and shelter; guidance and promotion of their talents; and the support and access to additional resources for professional development. The market was developed to serve each of these needs directly. The idea behind The Ripple Market was to help artists move from \u201cstruggling\u201d to sustainable living. <\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
<\/p>\n
Since this is Lone Star Lit, I always ask what Texas means to writers and their work. Do you think Texas is any more or less welcoming of artists of color and\/or identified as LGBTQ-IA? How have you seen this atmosphere change, for better or worse, since you\u2019ve been writing and performing?<\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n <\/p>\n
I love Texas. I want to make my final home here\u2014but I also love to travel and visit other cities and states. Texas has a complicated history with black people and the LGBTQ community. Unfortunately, it has meant many people who look like me end up in the criminal system. I actively work with my organization, Mano Amiga, to combat those issues. My hope is that it will become more common for people of color and LGBTQ people to receive the dignity and respect they deserve in every county of the state. It\u2019s a long road, but I\u2019m on it because I believe change is possible. <\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
<\/p>\n
Which Texas writers and artists do you admire and why? How have these writers inspired your own work? Which other poets would you recommend to readers who enjoy your new book?<\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n <\/p>\n
Some of the Texas poets at the top of my mind right now: Sandra Cisneros, Naomi Shihab-Nye, Cyrus Cassells, M\u00f3nica Teres Ortiz, Lupe M\u00e9ndez, Eddie Vega, and a host of others. <\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
Some poets and writers readers you should check? Eve Ewing, Linda Villarosa, Imani Perry, Danez Smith, Xandria Phillips, Oliver Baez Bendorf, Saeed Jones, Morgan Parker, Kiese Laymon, Nicole Shawan Junior, Jami Attenberg, Frank Johnson, Tiana Clark, Natalia Lima, Ada Limon, Rachel McKibbens, and too many more to name!<\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
<\/p>\n
Can you tell us what\u2019s next for you and your work?<\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n <\/p>\n
I\u2019m already halfway through a second book of poetry. It\u2019s a look at how the climate crisis is impacting migration and, inadvertently, the carceral system\u2019s treatment of black and brown queer people. I\u2019m pretty excited about it. I\u2019m also working on a memoir-in-essays, which explores my journey from inmate to community organizer. Hopefully, I\u2019ll find a home for both projects very soon.<\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n
<\/p>\n
What books are on your nightstand?<\/span><\/span><\/span><\/span><\/span><\/strong><\/p>\n <\/p>\n
How to Be an Antiracist<\/em> by Ibram X. Kendi, A Warning<\/em> by Anonymous, The Water Dancer <\/em>by Ta-Nehisi Coates, Little Fires Everywhere<\/em> by Celeste Ng<\/span><\/span><\/span><\/span><\/span><\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":"
An interview with San Marcos poet and visual artist Faylita Hicks<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[875,810,813,830,886],"class_list":["post-1874","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-interview","tag-lone-star-listens","tag-lone-star-literary-life","tag-lonestarliterarycom","tag-poetry"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/lonestar.a1professionals.net\/index.php?rest_route=\/wp\/v2\/posts\/1874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lonestar.a1professionals.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lonestar.a1professionals.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lonestar.a1professionals.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lonestar.a1professionals.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1874"}],"version-history":[{"count":0,"href":"https:\/\/lonestar.a1professionals.net\/index.php?rest_route=\/wp\/v2\/posts\/1874\/revisions"}],"wp:attachment":[{"href":"https:\/\/lonestar.a1professionals.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lonestar.a1professionals.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lonestar.a1professionals.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}